The 72nd Academy Awards (1999): Nominees and Winners

NOMINATIONS

AWARDS

  • 8
  • 7
  • 7
  • 6
  • 5
  • 4
  • 4
  • 4
  • 3
  • 3
  • 3
  • 3
  • American Beauty
  • The Cider House Rules
  • The Insider
  • The Sixth Sense
  • The Talented Mr. Ripley
  • The Green Mile
  • The Matrix
  • Topsy-Turvy
  • Being John Malkovich
  • Magnolia
  • Sleepy Hollow
  • Star Wars Episode I: The Phantom Menace
  • 5
  • 4
  • 2
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • American Beauty
  • The Matrix
  • The Cider House Rules
  • Topsy-Turvy
  • All About My Mother
  • Boys Don't Cry
  • Girl, Interrupted
  • King Gimp
  • My Mother Dreams the Satan's Disciples in New York
  • The Old Man and the Sea
  • One Day in September
  • The Red Violin
  • Sleepy Hollow
  • Tarzan
  • NOMINATION/WIN TALLY LEGEND
  • Best Picture winner
  • Best Picture nominee
  • Nominations are listed for all films receiving 3 or more

PICTURE (Best Picture)

  • American Beauty - Bruce Cohen, Dan Jinks
  • The Cider House Rules - Richard N. Gladstein
  • The Green Mile - David Valdes, Frank Darabont
  • The Insider - Michael Mann, Pieter Jan Brugge
  • The Sixth Sense - Frank Marshall, Kathleen Kennedy, Barry Mendel

DIRECTING

  • American Beauty - Sam Mendes
  • Being John Malkovich - Spike Jonze
  • The Cider House Rules - Lasse Hallstrm
  • The Insider - Michael Mann
  • The Sixth Sense - M. Night Shyamalan

ACTOR (Actor in a Leading Role)

  • Russell Crowe - The Insider
  • Richard Farnsworth - The Straight Story
  • Sean Penn - Sweet and Lowdown
  • Kevin Spacey - American Beauty
  • Denzel Washington - The Hurricane

ACTRESS (Actress in a Leading Role)

  • Annette Bening - American Beauty
  • Janet McTeer - Tumbleweeds
  • Julianne Moore - The End of the Affair
  • Meryl Streep - Music of the Heart
  • Hilary Swank - Boys Don't Cry

SUPPORTING ACTOR (Actor in a Supporting Role)

  • Michael Caine - The Cider House Rules
  • Michael Clarke Duncan - The Green Mile
  • Tom Cruise - Magnolia
  • Jude Law - The Talented Mr. Ripley
  • Haley Joel Osment - The Sixth Sense

SUPPORTING ACTRESS (Actress in a Supporting Role)

  • Toni Collette - The Sixth Sense
  • Angelina Jolie - Girl, Interrupted
  • Catherine Keener - Being John Malkovich
  • Samantha Morton - Sweet and Lowdown
  • Chlo Sevigny - Boys Don't Cry

ORIGINAL SCREENPLAY (Screenplay Written Directly for the Screen)

  • American Beauty - Alan Ball
  • Being John Malkovich - Charlie Kaufman
  • Magnolia - Paul Thomas Anderson
  • The Sixth Sense - M. Night Shyamalan
  • Topsy-Turvy - Mike Leigh

ADAPTED SCREENPLAY (Screenplay Based on Material Previously Produced or Published)

  • The Cider House Rules - John Irving
  • Election - Alexander Payne, Jim Taylor
  • The Green Mile - Frank Darabont
  • The Insider - Eric Roth, Michael Mann
  • The Talented Mr. Ripley - Anthony Minghella

ORIGINAL SONG

  • "Blame Canada" - South Park: Bigger, Longer & Uncut - Music, Lyric by Trey Parker, Marc Shaiman
  • "Music of My Heart" - Music of the Heart - Music, Lyric by Diane Warren
  • "Save Me" - Magnolia - Music, Lyric by Aimee Mann
  • "When She Loved Me" - Toy Story 2 - Music, Lyric by Randy Newman
  • "You'll Be In My Heart" - Tarzan - Music, Lyric by Phil Collins

ORIGINAL SCORE

  • American Beauty - Thomas Newman
  • Angela's Ashes - John Williams
  • The Cider House Rules - Rachel Portman
  • The Red Violin - John Corigliano
  • The Talented Mr. Ripley - Gabriel Yared

FILM EDITING

  • American Beauty - Tariq Anwar, Christopher Greenbury
  • The Cider House Rules - Lisa Zeno Churgin
  • The Insider - William Goldenberg, Paul Rubell, David Rosenbloom
  • The Matrix - Zach Staenberg
  • The Sixth Sense - Andrew Mondshein

CINEMATOGRAPHY

  • American Beauty - Conrad L. Hall
  • The End of the Affair - Roger Pratt
  • The Insider - Dante Spinotti
  • Sleepy Hollow - Emmanuel Lubezki
  • Snow Falling on Cedars - Robert Richardson

ART DIRECTION

  • Anna and the King - Art Direction: Luciana Arrighi; Set Decoration: Ian Whittaker
  • The Cider House Rules - Art Direction: David Gropman; Set Decoration: Beth Rubino
  • Sleepy Hollow - Art Direction: Rick Heinrichs; Set Decoration: Peter Young
  • The Talented Mr. Ripley - Art Direction: Roy Walker; Set Decoration: Bruno Cesari
  • Topsy-Turvy - Art Direction: Eve Stewart; Set Decoration: Eve Stewart, John Bush

COSTUME DESIGN

  • Anna and the King - Jenny Beavan
  • Sleepy Hollow - Colleen Atwood
  • The Talented Mr. Ripley - Ann Roth, Gary Jones
  • Titus - Milena Canonero
  • Topsy-Turvy - Lindy Hemming

MAKEUP

  • Austin Powers: The Spy Who Shagged Me - Michle Burke, Mike Smithson
  • Bicentennial Man - Greg Cannom
  • Life - Rick Baker
  • Topsy-Turvy - Christine Blundell, Trefor Proud

SOUND

  • The Green Mile - Robert J. Litt, Elliot Tyson, Michael Herbick, Willie D. Burton
  • The Insider - Andy Nelson, Doug Hemphill, Lee Orloff
  • The Matrix - John Reitz, Gregg Rudloff, David Campbell, David Lee
  • The Mummy - Leslie Shatz, Chris Carpenter, Rick Kline, Chris Munro
  • Star Wars Episode I: The Phantom Menace - Gary Rydstrom, Tom Johnson, Shawn Murphy, John Midgley

SOUND EFFECTS EDITING

  • Fight Club - Ren Klyce, Richard Hymns
  • The Matrix - Dane A. Davis
  • Star Wars Episode I: The Phantom Menace - Ben Burtt, Tom Bellfort

VISUAL EFFECTS

  • The Matrix - John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum
  • Star Wars Episode I: The Phantom Menace - John Knoll, Dennis Muren, Scott Squires, Rob Coleman
  • Stuart Little - John Dykstra, Jerome Chen, Henry F. Anderson III, Eric Allard

FOREIGN LANGUAGE FILM

  • All About My Mother - Spain
  • Caravan - Nepal
  • East-West - France
  • Solomon and Gaenor - United Kingdom
  • Under the Sun - Sweden

DOCUMENTARY (Feature)

  • Buena Vista Social Club - Wim Wenders, Ulrich Felsberg
  • Genghis Blues - Roko Belic, Adrian Belic
  • On the Ropes - Nanette Burstein, Brett Morgen
  • One Day in September - Arthur Cohn, Kevin Macdonald
  • Speaking in Strings - Paola di Florio, Lilibet Foster

DOCUMENTARY (Short Subject)

  • Eyewitness - Bert Van Bork
  • King Gimp - Susan Hannah Hadary, William A. Whiteford
  • The Wildest Show in the South: The Angola Prison Rodeo - Simeon Soffer, Jonathan Stack

SHORT FILM (Animated)

  • Humdrum - Peter Peake
  • My Grandmother Ironed the King's Shirts - Torill Kove
  • The Old Man and the Sea - Alexander Petrov
  • 3 Misses - Paul Driessen
  • When the Day Breaks - Wendy Tilby, Amanda Forbis

SHORT FILM (Live Action)

  • Bror, Min Bror (Teis and Nico) - Henrik Ruben Genz, Michael W. Horsten
  • Killing Joe - Mehdi Norowzian, Steve Wax
  • Kleingeld (Small Change) - Marc-Andreas Bochert, Gabriele Lins
  • Major and Minor Miracles - Marcus Olsson
  • My Mother Dreams the Satan's Disciples in New York - Barbara Schock, Tammy Tiehel

HONORARY AWARDS

  • To Andrzej Wajda in recognition of five decades of extraordinary film direction.

IRVING G. THALBERG MEMORIAL AWARD

  • Warren Beatty

GORDON E. SAWYER AWARD

  • Roderick T. Ryan

JOHN A. BONNER MEDAL OF COMMENDATION

  • To Edmund M. Di Giulio in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.
  • To Takuo Miyagishima in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

AWARD OF COMMENDATION

  • To FPC, Incorporated, under the leadership of Barry M. Stultz and Milton Jan Friedman, for the development and implementation of an environmentally responsible program to recycle or destroy discarded motion picture prints.

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE II (Plaque)

  • To FRITZ GABRIEL BAUER for the concept, design and engineering of the Moviecam Superlight 35mm Motion Picture Camera. The quiet Moviecam Superlight is an extremely small and light 35mm professional motion picture sound camera which allows the cinematographer to film in ways and situations that were never before possible. [Camera]
  • To IAIN NEIL for the optical design, RICK GELBARD for the mechanical design, and PANAVISION, INC. for the development of the Millennium Camera System viewfinder. This unique and versatile viewfinder with two independent viewing positions provides a very high-resolution video assist image, greatly enhancing its application for on-set compositing or non-linear editing. [Camera]
  • To JAMES MOULTRIE for the mechanical design, and to MIKE SALTER and MARK CRAIG GERCHMAN for the optical design of the Cooke S4 Range of Fixed Focal Length Lenses for 35mm motion picture photography. These state-of-the-art fixed focal length 35mm lenses are the result of intense efforts to meet industry requirements in several areas. Providing superior performance in several cinematographic aspects, these lenses include a unique linear focus system. [Lenses and Filters]
  • To NAT TIFFEN of Tiffen Manufacturing Corporation for the production of high-quality, durable, laminated color filters for motion picture photography. Materials of uniform color characteristics are implanted between layers of optical glass and bonded together under extremes of heat and pressure. The outer surfaces are ground and polished to specified close tolerances, free of distortion and resistant to changes in temperature or humidity, then bound with a protective metal ring. [Lenses and Filters]
  • To L. RON SCHMIDT for the concept, design and engineering of the Linear Loop Film Projectors. These radically new motion picture film projectors provide superior print handling, image steadiness, screen illumination and enhanced viewer experience by means of an extremely simple air-driven mechanical transport system. [Projection]
  • To MARLOWE A. PICHEL for development of the process for manufacturing Electro-formed Metal Reflectors which, when combined with the DC Short Arc Xenon Lamp, became the worldwide standard for motion picture projection systems. The impact of the Electro-formed Metal Reflector over the decades has completely changed the presentation side of the motion picture industry allowing the replacement of the carbon arc light source and the implementation of automated projection systems. [Projection]
  • To HUW GWILYM, KARL LYNCH and MARK V. CRABTREE for the design and development of the AMS Neve Logic Digital Film Console for motion picture sound mixing. This console allows the user multi-position mixing capabilities, stem routing predub inputs and other filmcentric attributes. This is the first fully digital audio mixing console specifically designed for post-production film mixing. [Sound]
  • To NICK PHILLIPS for the design and development of the three-axis Libra III remote control camera head. The Libra III head can accept a range of film cameras and their lenses and allows the operator to add stabilization to each axis for medium focal length lenses. Motion capture and playback are also selectable features. [Stage Operations]

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE III (Certificate)

  • To HOYT H. YEATMAN, JR. of Dream Quest Images and JOHN C. BREWER of the Eastman Kodak Company for the identification and diagnosis leading to the elimination of the 'red fringe' artifact in traveling matte composite photography. The elimination of the 'red fringe' artifact in traveling matte composite photography obviates expensive additional computerized image processing thus reducing the time involved in producing a seamless and convincing composite shot. [Laboratory]
  • To RICHARD C. SEHLIN for the concept, and DR. MITCHELL J. BOGDANOWICZ and MARY L. SCHMOEGER of the Eastman Kodak Company for the design and development of the Eastman Lamphouse Modification Filters. The ELM Filters enable a laboratory to achieve additive printer contrast and color reproduction using a subtractive lamphouse. [Lenses and Filters]
  • To LESLIE DREVER for the design and development of the Light Wave microphone windscreens and isolation mounts from Light Wave Systems. Designed to eliminate physical acoustical rumble and to cover a microphone's high sensitivity to wind and other unwanted noises, the Light Wave Systems line of shock mounts and windscreens accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]
  • To VIVIENNE DYER and CHRIS WOOLF for the design and development of the Rycote Microphone Windshield Modular System. Designed to eliminate physical acoustical rumble and to mask a microphone's high sensitivity to wind and other unwanted noises, the lightweight and rugged Rycote Microphone Windshields accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]