The 39th Academy Awards (1966): Nominees and Winners

NOMINATIONS		AWARDS
13 8 8 7 5 5 4 4 4 4 3 3 3 3	Who's Afraid of Virginia Woolf? A Man for All Seasons The Sand Pebbles Hawaii Alfie Fantastic Voyage The Fortune Cookie Georgy Girl A Man and a Woman The Russians Are Coming The Russians Are Coming Gambit The Gospel According to St. Matthew Grand Prix The Professionals	6 5 3 2 2 2 1 1 1 1 1 1	A Man for All Seasons Who's Afraid of Virginia Woolf? Grand Prix Born Free Fantastic Voyage A Man and a Woman The Fortune Cookie A Funny Thing Happened on the Way to the Forum Herb Alpert and the Tijuana Brass Double Feature The War Game Wild Wings A Year Toward Tomorrow
NOMINATION/WIN TALLY LEGEND Best Picture winner Best Picture nominee Nominations are listed for all films receiving 3 or more

PICTURE (Best Picture)

• Alfie - Lewis Gilbert
• A Man for All Seasons - Fred Zinnemann
• The Russians Are Coming The Russians Are Coming - Norman Jewison
• The Sand Pebbles - Robert Wise
• Who's Afraid of Virginia Woolf? - Ernest Lehman

DIRECTING

• Blow-Up - Michelangelo Antonioni
• A Man and a Woman - Claude Lelouch
• A Man for All Seasons - Fred Zinnemann
• The Professionals - Richard Brooks
• Who's Afraid of Virginia Woolf? - Mike Nichols

ACTOR

• Alan Arkin - The Russians Are Coming The Russians Are Coming
• Richard Burton - Who's Afraid of Virginia Woolf?
• Michael Caine - Alfie
• Steve McQueen - The Sand Pebbles
• Paul Scofield - A Man for All Seasons

ACTRESS

• Anouk Aimee - A Man and a Woman
• Ida Kaminska - The Shop on Main Street
• Lynn Redgrave - Georgy Girl
• Vanessa Redgrave - Morgan!
• Elizabeth Taylor - Who's Afraid of Virginia Woolf?

SUPPORTING ACTOR (Actor in a Supporting Role)

• Mako - The Sand Pebbles
• James Mason - Georgy Girl
• Walter Matthau - The Fortune Cookie
• George Segal - Who's Afraid of Virginia Woolf?
• Robert Shaw - A Man for All Seasons

SUPPORTING ACTRESS (Actress in a Supporting Role)

• Sandy Dennis - Who's Afraid of Virginia Woolf?
• Wendy Hiller - A Man for All Seasons
• Jocelyne Lagarde - Hawaii
• Vivien Merchant - Alfie
• Geraldine Page - You're a Big Boy Now

ADAPTED SCREENPLAY (Screenplay--based on material from another medium)

• Alfie - Bill Naughton
• A Man for All Seasons - Robert Bolt
• The Professionals - Richard Brooks
• The Russians Are Coming The Russians Are Coming - William Rose
• Who's Afraid of Virginia Woolf? - Ernest Lehman

STORY AND SCREENPLAY (Story and Screenplay--written directly for the screen)

• Blow-Up - Story by Michelangelo Antonioni; Screenplay by Michelangelo Antonioni, Tonino Guerra, Edward Bond
• The Fortune Cookie - Billy Wilder, I. A. L. Diamond
• Khartoum - Robert Ardrey
• A Man and a Woman - Story by Claude Lelouch; Screenplay by Claude Lelouch, Pierre Uytterhoeven
• The Naked Prey - Clint Johnston, Don Peters

SONG

• "Alfie" - Alfie - Music by Burt Bacharach; Lyrics by Hal David
• "Born Free" - Born Free - Music by John Barry; Lyrics by Don Black
• "Georgy Girl" - Georgy Girl - Music by Tom Springfield; Lyrics by Jim Dale
• "My Wishing Doll" - Hawaii - Music by Elmer Bernstein; Lyrics by Mack David
• "A Time for Love" - An American Dream - Music by Johnny Mandel; Lyrics by Paul Francis Webster

ORIGINAL MUSIC SCORE

• The Bible - Toshiro Mayuzumi
• Born Free - John Barry
• Hawaii - Elmer Bernstein
• The Sand Pebbles - Jerry Goldsmith
• Who's Afraid of Virginia Woolf? - Alex North

SCORING (Scoring of Music--adaptation or treatment)

• A Funny Thing Happened on the Way to the Forum - Ken Thorne
• The Gospel According to St. Matthew - Luis Enrique Bacalov
• Return of the Seven - Elmer Bernstein
• The Singing Nun - Harry Sukman
• STop the World--I Want to Get Off - Al Ham

FILM EDITING

• Fantastic Voyage - William B. Murphy
• Grand Prix - Fredric Steinkamp, Henry Berman, Stewart Linder, Frank Santillo
• The Russians Are Coming The Russians Are Coming - Hal Ashby, J. Terry Williams
• The Sand Pebbles - William Reynolds
• Who's Afraid of Virginia Woolf? - Sam O'Steen

CINEMATOGRAPHY (Black-and-White)

• The Fortune Cookie - Joseph LaShelle
• Georgy Girl - Ken Higgins
• Is Paris Burning? - Marcel Grignon
• Seconds - James Wong Howe
• Who's Afraid of Virginia Woolf? - Haskell Wexler

CINEMATOGRAPHY (Color)

• Fantastic Voyage - Ernest Laszlo
• Hawaii - Russell Harlan
• A Man for All Seasons - Ted Moore
• The Professionals - Conrad Hall
• The Sand Pebbles - Joseph MacDonald

ART DIRECTION (Black-and-White)

• The Fortune Cookie - Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle
• The Gospel According to St. Matthew - Luigi Scaccianoce
• Is Paris Burning? - Art Direction: Willy Holt; Set Decoration: Marc Frederix, Pierre Guffroy
• Mister Buddwing - Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt
• Who's Afraid of Virginia Woolf? - Art Direction: Richard Sylbert; Set Decoration: George James Hopkins

ART DIRECTION (Color)

• Fantastic Voyage - Art Direction: Jack Martin Smith, Dale Hennesy; Set Decoration: Walter M. Scott, Stuart A. Reiss
• Gambit - Art Direction: Alexander Golitzen, George C. Webb; Set Decoration: John McCarthy, John Austin
• Juliet of the Spirits - Piero Gherardi
• The Oscar - Art Direction: Hal Pereira, Arthur Lonergan; Set Decoration: Robert Benton, James Payne
• The Sand Pebbles - Art Direction: Boris Leven; Set Decoration: Walter M. Scott, John Sturtevant, William Kiernan

COSTUME DESIGN (Black-and-White)

• The Gospel According to St. Matthew - Danilo Donati
• Mandragola - Danilo Donati
• Mister Buddwing - Helen Rose
• Morgan! - Jocelyn Rickards
• Who's Afraid of Virginia Woolf? - Irene Sharaff

COSTUME DESIGN (Color)

• Gambit - Jean Louis
• Hawaii - Dorothy Jeakins
• Juliet of the Spirits - Piero Gherardi
• A Man for All Seasons - Elizabeth Haffenden, Joan Bridge
• The Oscar - Edith Head

SOUND

• Gambit - Universal City Studio Sound Department, Waldon O. Watson (Sound Director)
• Grand Prix - Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton (Sound Director)
• Hawaii - Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer (Sound Director)
• The Sand Pebbles - 20th Century-Fox Studio Sound Department, James P. Corcoran (Sound Director)
• Who's Afraid of Virginia Woolf? - Warner Bros. Studio Sound Department, George R. Groves (Sound Director)

SOUND EFFECTS

• Fantastic Voyage - Walter Rossi
• Grand Prix - Gordon Daniel

SPECIAL VISUAL EFFECTS

• Fantastic Voyage - Art Cruickshank
• Hawaii - Linwood G. Dunn

FOREIGN LANGUAGE FILM

• The Battle of Algiers - Italy
• Loves of a Blonde - Czechoslovakia
• A Man and a Woman - France
• Pharaoh - Poland
• Three - Yugoslavia

DOCUMENTARY (Feature)

• The Face of Genius - Alfred R. Kelman
• Helicopter Canada - Peter Jones, Tom Daly
• The Really Big Family - Alex Grasshoff
• Le Volcan Interdit (The Forbidden Volcano) - Haroun Tazieff
• The War Game - Peter Watkins

DOCUMENTARY (Short Subject)

• Adolescence - Marin Karmitz, Vladimir Forgency
• Cowboy - Michael Ahnemann, Gary Schlosser
• The Odds Against - Lee R. Bobker, Helen Kristt Radin
• Saint Matthew Passion - Mafilm Studio
• A Year Toward Tomorrow - Edmond A. Levy

SHORT SUBJECT (Cartoon)

• The Drag - Wolf Koenig, Robert Verrall
• Herb Alpert and the Tijuana Brass Double Feature - John Hubley, Faith Hubley
• The Pink Blueprint - David H. DePatie, Friz Freleng

SHORT SUBJECT (Live Action)

• Turkey the Bridge - Derek Williams
• Wild Wings - Edgar Anstey
• The Winning Strain - Leslie Winik

HONORARY AWARDS

• To Y. Frank Freeman for unusual and outstanding service to the Academy during his thirty years in Hollywood.
• To Yakima Canutt for achievements as a stunt man and for developing safety devices to protect stunt men everywhere.

IRVING G. THALBERG MEMORIAL AWARD

• Robert Wise

JEAN HERSHOLT HUMANITARIAN AWARD

• George Bagnall

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE II (Plaque)

• To ARNOLD & RICHTER KG for the design and development of the Arriflex 35mm Portable Motion Picture Reflex Camera. [Camera]
• To MITCHELL CAMERA CORPORATION for the design and development of the Mitchell Mark II 35mm Portable Motion Picture Reflex Camera. [Camera]

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE III (Certificate)

• To CARROLL KNUDSON for the production of a Composer's Manual for Motion Picture Music Synchronization. [Editorial]
• To RUBY RAKSIN for the production of a Composer's Manual for Motion Picture Music Synchronization. [Editorial]
• To PANAVISION, INCORPORATED, for the design of the Panatron Power Inverter and its application to motion picture camera operation. [Stage Operations]